Posted 50 minutes ago

alliebloechl:

laughandfearnot:

a few of my favourite quotes.. 

Oh this show. WHYYY???

violet you wonderful diva

This show. THIS SHOW. <3

(Source: downtonabbey-gifs)

Posted 54 minutes ago

nica-chan:

he looks so mean omg so cute 

Baby deeeer!

Posted 1 hour ago

burdge:

i’ve FINALLY organized my Etsy shop!

there are only 10 listings as of right now, but i plan to add a lot more! gotta raise rent for my apartment somehow!

Helping an artist out! Take a look… her drawings and fanart are awesome. :)

Posted 1 hour ago
shirtoid:

Bar Fight available at RedBubble

Clever!

shirtoid:

Bar Fight available at RedBubble

Clever!

Posted 1 hour ago
Prettyyyy.

Prettyyyy.

(Source: c0ncreat)

Posted 1 hour ago
All of the above.

All of the above.

Posted 1 hour ago
Stressed?

Stressed?

Posted 1 hour ago
If I still used a hard drive&#8230; this would be the sexiest.

If I still used a hard drive… this would be the sexiest.

Posted 1 hour ago

This seems like something I would do…

(Source: mylittlepoesy)

Posted 2 hours ago

fckyeaharthistory:

Cy Twombly - Painting detail of Roses,Gaeta, 2009. Dryprint on cardboard 

Posted 17 hours ago

letmypeopleshow:

Doors of Perception:

Espiral, a 1955 piece by Jesús Soto. The master and instigator of kinetic art, predecessor of perceptual tricksters like Eliasson or Navarro, and pioneer of the very idea of interactivity is at the center of “Soto: Paris and Beyond, 1950-1970,” a spellbinding show at NYU’s Grey Art Gallery. It focuses on the era just after the Venezuela-born Soto had moved to France, where an international contingent of artists converged to experiment with new tactics, new media, new dimensions. Soto was obsessed with “activating spatial dynamism and sensorial instability,” as the gallery puts it. In this piece he has floated Plexiglas, painted with radiating geometric patterns, over wood painted with more. But you can’t get the full impression from an image. Set yourself in motion to see the trippy work in person—and explore a vanguard often neglected by our New York-centric institutions—before the exhibition closes March 31.

Private collection © 2012 Artists Rights Society (ARS), New York / ADAGP, Paris

Skills.

Posted 19 hours ago

prostheticknowledge:

Sloth photobombs holiday picture

[via The Telegraph UK]

Photobombing like a boss.